Borna Libertines, is an electronic techno music artist based in New York City and a Collage Graffiti Streat Artist. Borna has released one LP Memory Leak and 3 EP Tengo Lo Que Tengo, A Darkness and his latest EP Inside My Mind.
Borna Libertines is an artist who creates mixed-media collages by reconstituting torn-up snatches of popular artifacts, some of which depict advertisements. His compositions feature text, pure blocks of color, commercial imagery, and graffiti placement, all remixed to convey humor, eroticism, and sociopolitical critique.
Borna builds collages of posters in which one has been placed over another or others, and the top poster or posters have been ripped, revealing to a greater or lesser degree the poster or posters underneath.
This radical re-appropriation of an otherwise ordinary material enables him to capture the spirit of the times and the image of a society driven by communication which expresses itself above all through its obsession with current affairs and the omnipresence of the media. His art brings the streetscape into the space.
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Hashtag Gallery Present Urban Erosion Art Gallery Exhibition by Artist
Borna is an artist who creates mixed-media collage graffiti paintings. See ArtUrban erosion is a natural phenomenon where materials in urban areas are gradually removed or dissolved by natural forces like rain, wind, and sun.
This phenomenon has inspired my artistic exploration as I see the remnants of urban erosion as raw materials that hold historical and cultural significance.
Instead of viewing erosion as decay or loss, I use the eroded material as a palette to create art that tells a story about the place and its history.
Urban erosion is more than just a physical change in the environment; it's about the layers of history embedded in a place.
As humans, we interact with these spaces, leaving our marks and memories.
My art engages with this interplay between past and present. I aim to reveal hidden layers and uncover memories, both positive and negative, that add depth to my work.
I believe that through my art, I can invite viewers to confront their memories and experiences, just as erosion exposes hidden layers.
My focus on transformation is evident in my art.
Whether it's the transformation of materials or the transformation of perception, I aim to challenge viewers' perspectives and encourage them to see life through a different lens.
By using the remnants of urban erosion as my primary medium, I create art that invites people to reconsider what they thought they knew about a place.
My art serves as a lens through which viewers can see the world differently, and I hope to encourage them to embrace transformation and growth.
A painting AterLife Corazon
The painting of the girl with harmonika.
A painting Dead Man in the Room
Echoes: The phrases “Dead Man in the Room” and “The fastest man in water” might symbolize the isolation and the rapid, uncontrollable descent into addiction.
A painting Planet Earth
The central focus on a graffiti ballerina symbolizing the Earth, spinning gracefully, seems to convey the idea of the Earth's delicate yet continuous movement.
A painting The Thinker
The work depicts a figure of a heroic-sized woman sitting on a Toilet. She is seen leaning over, her right hand hold a thigh her right leg.
The pose is one of deep thought and contemplation.
The pose that resembles the famous sculpture by Rodin.
A painting Surfing Life
Painting representation of freedom and the energy of life. The surfing represents the idea of riding the waves of life, the ocean and sky backdrop add to the sense of freedom and possibility.
A painting also known as Vivir Utopia Algorithm or Vivir Utopia .
Humans must maintain complete control over and responsibility for the behavior and outcomes of AI
Transparency, Discrimination, Ethical, Security Risks, Power, Concentration, Dependence on AI, Job Displacement, Legal and Regulatory, AI Arms Race, Unintended, Consequences, Existential Risks, Humanity
Opportunities for implementing technology to benefit human well-being should prioritize privacy and prevent harmful use against individuals or groups.
Eliza 1966
Humanity is not completed
24/7 Availability, Unemployment, Perform Repetitive Jobs, No Ethics, Make Humans Lazy
A painting The Judgment Day .
The Judgment Day emerges like a revelation from the tangled fabric of urban existence. Imagine a collage—a patchwork of street posters, each whispering its own enigmatic tale.
These fragments, once mundane advertisements or event announcements, now form the very bedrock of our narrative.
But this is no apocalypse. The Judgment Day arrives not with cataclysmic fury, but as a quiet reckoning. Each poster, every stroke of graffiti, bears witness to our shared pilgrimage—a tapestry of humanity woven by the loom of time and circumstance.
Amid the chaos, we yearn for meaning. What will tip the scales of existence? What verdict awaits us when the final poster is pasted, the last tag sprayed? The answers, perhaps, lie concealed in the layers, awaiting discerning eyes to decode their cryptic language.
And then there’s the graffiti—rebellious echoes that defy order. A riot of colors and symbols, it dances across the surface, inscribing defiance and passion. It’s as if the city itself speaks—a chorus of voices, both urgent and timeless.
These posters, once mere sales pitches, now serve a higher purpose. They are fragments of a grander truth—a testament to impermanence and resilience. In this urban collage, I glimpse lives lived, dreams shattered, and hope rekindled. The city’s soul, laid bare.
The Judgment Day unfolds silently, inviting introspection. We ponder our own narratives within this mosaic of chaos and artistry.
The Judgment Day, The painting employs a mixed-media approach, combining street posters, graffiti, and wallpaper to create a dynamic and textured visual field.
A painting Music Art .
Compositions reconstitute torn-up snatches of these popular artifacts, some of which depict advertisements. His pieces feature text, pure blocks of color, and commercial imagery and graffiti placement, all remixed in order to convey humor, eroticism, and sociopolitical critique.
He built posters in which one has been placed over another or others, and the top poster or posters have been ripped, revealing to a greater or lesser degree the poster or posters underneath.
Bringing the streetscape into the space.
Music Art, The painting employs a mixed-media approach, combining street posters, graffiti, and wallpaper to create a dynamic and textured visual field.
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